NEWS ITEM EXERCISES
Success is impossible without confidence; however,
overconfidence leads to failure.
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The Greek gods are more powerful than mortals; nevertheless,
they must bow to the higher power of fate.
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Although the weather cleared up, the
flooding only got worse.
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The queen initially acts as a devoted leader, but
later she abandons her duty for love.
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I like sports; however, I don't like hockey.
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I like sports. My brother, on the other hand,
despises them.
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In the Aeneid Aeneas illustrates the idea of
pietas, the Roman ideal of duty to family, state, and gods. Of course,
when we first encounter him in the poem, he has forgotten his obligation to
his people and succumbed to self-pity. As the poem proceeds, however,
he overcomes his weakness and makes the personal sacrifices that pietas
demands.
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Athena in the Odyssey represents the idea of
intelligence, especially as it appears in clever schemes and contrivances.
Thus, she is associated with strategy in war; it was she who inspired
Odysseus to build the Trojan horse. She also is the goddess of
handicraft, especially weaving; it is she who inspires women to weave
intricate designs upon the loom.
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Athena in the Odyssey represents the idea of
intelligence, especially as it appears in clever schemes and contrivances. Also,
she is associated with strategy in war; it was she who inspired Odysseus to
build the Trojan horse.
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Ares is the god of war. Another deity found
on the battlefield is Athena, who is associated with military strategy; it
was she who inspired Odysseus to build the Trojan horse.
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In their epic poetry the Greeks looked back to a
heroic age which they contrasted with their own more crassly materialistic
age. Likewise, among the Germans bards sang of long-dead heroes who
were stronger and more courageous than those who listened to them in the meed
hall.
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In the forest reside the fairies, spirits free from
the limitations of physical reality. Lacking the encumbrance of the body,
they enjoy a magical freedom of movement. In contrast, the residents
of Athens are human beings, who possess physical bodies that subject them to
the laws of nature. They cannot pass through even a forest, much less
"flood or fire," with the ease or speed of thought.
In the temple of Juno Aeneas succumbs to the
temptation of pity. In the temple of Apollo, on the other hand, he
does not let such feelings hold him back.
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Middle school teachers watch over students like
parents, whereas upper school teachers treat them more like
responsible adults.
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Unlike the Fairies, who are free to
pursue their own desires, the mortals are constrained by the laws of nature
and society.
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All men are mortal. Socrates is a man. Therefore,
Socrates is mortal.
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In the Iliad the warriors fight with weapons
made of bronze, never of iron, although when the Greeks learned to work with
iron it quickly displaced the other metal because of its superior strength
and availability. Nonetheless, in Homer's epic similes we find
references to iron implements. We may therefore conclude that Homer
sings of events set in the bronze age but he himself lives in the iron age.
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In Don Quixote Cervantes establishes a
pattern which later novelists very often follow. The main character becomes
so enchanted by the romantic tales told in books (or projected on the screens
of cinemas) that he or she loses touch with reality, or rather devotes all of
his or her time to making reality conform to the world of romance and
adventure. For example, in Flaubert's Madame Bovary Emma
embarks on a series of adulterous affairs in a vain attempt to realize in her
own life the stories she read as a girl.
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In the Odyssey the gods watch out for
beggars. For example, Eumaeus says, "Every stranger and beggar
comes from Zeus" (14.66).
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In the Odyssey the gods watch out for beggars
just as Eumaeus says: "Every stranger and beggar comes from Zeus"
(14.66).
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In the Odyssey social class is no index of
moral character. For example, the swineherd Eumaeus displays the noble
traits of generosity and modesty when he welcomes Odysseus to his hut.
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Hermes is not only the messenger of Zeus, but the
patron of thieves. In other words, he is the god of authorized and
unauthorized transfers.
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In the Odyss
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